After the Flood: Review by Alan Bamberger Art business.com
Comment:
The paintings are inspired by Hurricane Katrina, Georgianne Fastaia
tells me (and also in part by a devastating Connecticut snowstorm of
1972). She's never been to New Orleans, but rather is taken with the
idea of floods, their impact, their devastation, what it means to be
hopelessly engulfed by water, and even the beauty of natural disaster.
She advances her argument not only with her compositions, but also by
painting them on abandoned canvases, then framing them with sections of
old floorboards, thereby incorporating the idea of rebuilding after a
deluge. Priced $225-$1800. Good show, thoughtfully presented and
persuasive.
It’s called the Spring Studio Stroll, but I’m exhausted and frustrated. It was no stroll, but a marathon....
.
Revived, we went to the final venue—Art Explosion at 2425 17th St. near Potrero Avenure. Immediately I noticed Georgianne Fastaia’s
large, evocative oils, part of a series celebrating the Orishas. Ah, an
immigrant’s point of view, I thought. Yes, from Brooklyn, she said.
What an eye.
I Spy Vintage Decor and More (formerly The Drugstore Gallery),
1845 Market St., San Francisco, CA 94103 (formerly National Product);
415.282.0544: Grand Opening - Operation 007, A Glimpse into Our Future.
Artists:
Cat Levy, David Benzler, David Newman, Felix Macnee, Genevieve Perkins,
Georgianne Fastaia, Heather Robinson, Ivy Jacobsen, James Gleeson,
Kevin Pincus.
Comment:
The Drugstore Gallery heads downtown, changes its name to I Spy, and
upgrades its appearance. The main part of the store is devoted to
vintage furniture, collectibles, and decorative arts; a dimunitive
gallery occupies a space way to the back. The premise for tonight's
event is a show of one painting by each artist who will be soloing at I
Spy in 2007. Congratulations and best wishes for success at the new
venue! I like it.
"Personal icons as everyday saints" by Georgianne Fastaia, San Francisco, CA, USA
Trinidad original painting 20 x 20 inches
Santeras means "Saint maker" or one who paints saints, as in the Russian tradition of
self-taught artists painting naive religious icons after devout prayer.
There is a difference between making an icon, and having it become the
object of worship, and making a representation that expresses a truth
about God. We cannot depict the Father, the Holy Spirit, or the
Trinity. Herein lies the contradiction of faith, both invisible and
boundless, yet evidenced through our very real humanity. I set out to
describe my faith through a Child's eye. In creating this series I
became a santera: a saint maker interpreting the holy moments of each
day. Inspired by the joy of my infant daughter Sophie, I relied on the
spirit to move through me to create raw childlike images infused with
feeling. Many figures float in a timeless space in which their bodies
are painted as shimmering vessels for their hearts. If we reveal our
spiritual nature when we release our fear of difference and our sense
of separateness from one another, then it is inevitable that in the
figures grew increasing similar and androgynous in each new work. I'm
particularly fascinated by images of triplets - as a metaphor for
aspects of us - the trinity depicted as three male figures dancing or
floating together as one body. Or as three women, often with one or
more painted over but still faintly visible. These are everyday saints,
personal icons depicting mysteries of joy.
Interview Mission Arts Monthly (pdf)
scroll down to interview with georgianne on page 6-7