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Home: Georgianne Fastaia - BadfishStudios Fine Art

After the Flood: Review by Alan Bamberger            Art business.com
Comment: The paintings are inspired by Hurricane Katrina, Georgianne Fastaia tells me (and also in part by a devastating Connecticut snowstorm of 1972). She's never been to New Orleans, but rather is taken with the idea of floods, their impact, their devastation, what it means to be hopelessly engulfed by water, and even the beauty of natural disaster. She advances her argument not only with her compositions, but also by painting them on abandoned canvases, then framing them with sections of old floorboards, thereby incorporating the idea of rebuilding after a deluge. Priced $225-$1800. Good show, thoughtfully presented and persuasive.

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Review by Alan Bamberger.


Pacific Noise Podcast "After the Flood" @ The Drugstore Gallery

Watch Episode22

We see visual artist Georgianne Fastaia and talk about her current exhibition at the Drug Store Vintage Gallery entitled After the Flood

 

Review: Art, More to Like

By VIOLA

It’s called the Spring Studio Stroll, but I’m exhausted and frustrated. It was no stroll, but a marathon....forest.JPG

 

 

 

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Revived, we went to the final venue—Art Explosion at 2425 17th St. near Potrero Avenure. Immediately I noticed Georgianne Fastaia’s large, evocative oils, part of a series celebrating the Orishas. Ah, an immigrant’s point of view, I thought. Yes, from Brooklyn, she said. What an eye.

 

 

 

 

 

 

 

 

 

 Robert Genn: The Early Morning Club (featured response) in The Painter's keys

 

 

review by Alan Bamberger for artbusiness.com    Group exhibition @ I SPY Gallery March 16, 2007

Artbusiness.com

I Spy Vintage Decor and More (formerly The Drugstore Gallery), 1845 Market St., San Francisco, CA 94103 (formerly National Product); 415.282.0544: Grand Opening - Operation 007, A Glimpse into Our Future.

Artists: Cat Levy, David Benzler, David Newman, Felix Macnee, Genevieve Perkins, Georgianne Fastaia, Heather Robinson, Ivy Jacobsen, James Gleeson, Kevin Pincus.

Comment: The Drugstore Gallery heads downtown, changes its name to I Spy, and upgrades its appearance. The main part of the store is devoted to vintage furniture, collectibles, and decorative arts; a dimunitive gallery occupies a space way to the back. The premise for tonight's event is a show of one painting by each artist who will be soloing at I Spy in 2007. Congratulations and best wishes for success at the new venue! I like it.

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Furniture & collectibles up front.

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Out front.

Robert Genn: The World of Icons (featured response) The Painter's keys

"Personal icons as everyday saints"
by Georgianne Fastaia, San Francisco, CA, USA

Trinidad<br>original painting<br>20 x 20 inches by Georgianne Fastaia

Trinidad
original painting
20 x 20 inches

Santeras means "Saint maker" or one who paints saints, as in the Russian tradition of self-taught artists painting naive religious icons after devout prayer. There is a difference between making an icon, and having it become the object of worship, and making a representation that expresses a truth about God. We cannot depict the Father, the Holy Spirit, or the Trinity. Herein lies the contradiction of faith, both invisible and boundless, yet evidenced through our very real humanity. I set out to describe my faith through a Child's eye. In creating this series I became a santera: a saint maker interpreting the holy moments of each day. Inspired by the joy of my infant daughter Sophie, I relied on the spirit to move through me to create raw childlike images infused with feeling. Many figures float in a timeless space in which their bodies are painted as shimmering vessels for their hearts. If we reveal our spiritual nature when we release our fear of difference and our sense of separateness from one another, then it is inevitable that in the figures grew increasing similar and androgynous in each new work. I'm particularly fascinated by images of triplets - as a metaphor for aspects of us - the trinity depicted as three male figures dancing or floating together as one body. Or as three women, often with one or more painted over but still faintly visible. These are everyday saints, personal icons depicting mysteries of joy.

 


Interview  Mission Arts Monthly (pdf)

scroll down to interview  with georgianne on  page 6-7

Mission Arts Monthly (pdf)



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